OM-1 Mark II

From
€2,199.00
PROMO
Buy now
OM-1 Mark II
From
€2,199.00
PROMO
Buy now

Revealing wonder.

The OM-1 Mark II is a statement of blazing fast speeds, unparalleled computational capabilities and tactile usability with refinements throughout the camera. What the OM-1 Mark II presents is a true wonder of outdoor photography equipment that will perform wherever you go.

  • 8.5 EV Stops of stabilisation
  • Pro Capture
  • 120fps – S-AF in RAW 50fps – C-AF in RAW
  • Bird, Human, Pets, Cars, Aircrafts & Trains AI Subject Detection AF
  • Blackout-free sequential shooting
  • 120fps - 213 frame buffer in RAW 50fps - 256 frame buffer in RAW
  • LiveGND GND2, GND4 & GND8
  • LiveND From ND2 to ND128
  • Highres Shot up to 80MP 14-bit RAW

Fast.

Never miss a moment with a large buffer size for sequential shooting, enhanced AI Subject Detection AF and blazing performance.

Smart.

Industry-leading computational photography features such as LiveGND and High Res Shot to give you the edge.

Compact.

Go lighter with an improved body feel, 8.5 stops of stabilising power and stellar battery life.

Tough.

Built to perform in every environment you find yourself in with IP53 certified weathersealing.

Speed and accuracy, essentials for outdoor photography.

The OM-1 Mark II picks up where the original OM-1 left off. The new camera boast with double buffer size and remarkable high speed sequential shooting — up to 50fps with continuous autofocus — coupled with improved autofocus accuracy and reliability.

Autofocus with AI subject detection

We improved the AI Subject Detection not only to maintain focus more accurately and reliably, but also to detect humans. The enhanced AI Subject Detection allows you to selectively focus on a single subject, giving you precision in crowded scenes.

More accurate than ever before

OM-1 Mark II significantly enhances Auto Focus precision, especially for wildlife and adventure outdoor photography. This translates to an Auto Focus system that reliably locks onto subjects even in the most demanding photographic scenarios.

Pro Capture up to 120fps

With our Pro Capture Mode when you press the shutter button down halfway, it begins buffering a running series of photos at 120fps. When you see the moment you want, fully press the shutter and the camera saves that moment plus the buffered shots. Never miss a shot again because of a slow reaction.

Double buffer size

With increased memory in the camera, we’ve more than doubled the buffer size, jumping from 92* to an impressive 213 photos at 120 fps in RAW format.


*OM-1

Blackout-free sequential shooting

Now, in addition to the existing 25-120fps, we've added 12.5 fps and 16 fps for better shooting experience for static subjects.

It’s what’s inside that counts.

A major focus of the OM-1 Mark II is its capability in computational photography. With the introduction of LiveGND — an in-camera graduated neutral density filter — you’re to leave your costly and clumsy external filters behind and trust the camera. Additionally, we’ve significantly enhanced the LiveND and High Res Shot features.

No more clumsy filters LiveGND

Introducing the new LiveGND, our Graduated Neutral Density filter for creative freedom to position the graduation precisely as you like.

The full spectrum of tones High Res Shot

The High Res Shot mode has always been a standout feature, and now, you can capture photos in 14-bit RAW.

• 80MP with tripod

• 50MP handheld

Live ND

Get long exposure shots in bright daylight with the in-camera LiveND feature. The OM-1 Mark II takes LiveND one EV stop further, up to ND128, providing even greater flexibility in challenging conditions.

Live Composite

The OM-1 Mark II’s Live Composite mode takes a series of continuous photos with the same exposure time, and then combines them into a single shot — making star trail photography and light painting easy without the fear of over exposure.

Focus stacking

Focus Stacking gives your images a whole new dimension by extending the depth of field from foreground to background. This is achieved by taking up to 15 individual photos at varying focus distances and then stitching them together into a single rendered composite image.

Compact size. Full experience.

Not only is the OM-1 Mark II built compact enough to go with you anywhere. It also introduces industry-leading features to let you leave needless things behind.
With a record 8.5 EV stops in camera stabilisation, you can ditch the tripod with confidence and travel lighter.

8.5 EV stops of magic

The OM-1 Mark II boasts an impressive 8.5 EV stops of stabilisation, taking it 1.5 stops further than the already impressive OM-1. It also features Sync-IS up to 8.5 stops.

Keep Calm Carry-On.

Compared to the rivals, we are lighter in system weight. With the OM-1 Mark II, you fit a complete set of camera gear in a standard Carry-On bag.

Good to go. All day.

The OM-1 Mark II functions power efficiently. Coupled with our high-capacity BLX-1 Lithium-Ion rechargeable batteries, you can shoot for hours: up to 500 photos with a single charge.

An outdoor camera as tough as you are.

We don’t cut corners with the great outdoors. With IP53 certified weather-sealing, the OM-1 Mark II is built to excel through snow dust and rain. The tactile hand-feel of the body is also improved with the introduction of new rubbery dials for better grip and feel.

Not just secure, but proofed. IP53 Certified

The OM-1 Mark II can take everything from snowy mountain tops to desert sands. The IP53 standard indicates our dedication to keep your camera dust and splash proof.

Freezeproof construction

We built the OM-1 Mark II to withstand the cold with a build to thrive even when temperatures drop to -10°C.

Super Sonic Wave Filter

The OM-1 Mark II features a sensor filter to ward off dust and dirt with 30.000 vibrations per second each time you power on the camera.

Learn from OUR PROS

Our team of ambassadors has rigorously tested the OM-1 Mark II in the great outdoors, pushing its capabilities to the extreme. Discover their insights and experiences with this remarkable camera.


Brooke Bartleson OM SYSTEM AMBASSADOR

“Ever since I got ahold of the new camera, I haven’t looked back. There’s so much to love. The image stabilization is beyond anything I thought was possible. Knowing that my wildlife shots will come out crisp and sharp without thinking twice about a tripod is so freeing, and enables me to go further and lighter than ever before.”

OM-1 Mark II + M.Zuiko Digital ED 150-400mm F4.5 TC1.25X IS PRO


Petr Bambousek OM SYSTEM AMBASSADOR

“All the improvements check all the right boxes and make a big difference for me as a bird photographer. After shooting two months with the new flagship, there is no going back.”

OM-1 Mark II + M.Zuiko Digital ED 150-400mm F4.5 TC1.25X IS PRO


Matt Horspool OM SYSTEM AMBASSADOR

“Amid torrential rain and unrelenting extreme winds, I had the privilege of unleashing this remarkable camera in the Scottish Highlands. In conditions that no equipment, clothing, or camera should endure, it not only survived but thrived. This camera really is a tool for the adventurous.”

OM-1 Mark II + M.Zuiko Digital ED 7-14mm F2.8 PRO + Live GND


Christian Brockes OM SYSTEM AMBASSADOR

"The OM SYSTEM OM-1 was already a great camera with versatile features for all nature photographers. The OM-1 Mark II perfects it by taking a step further in overall performance."

OM-1 Mark II + M.Zuiko Digital ED 90mm F3.5 Macro IS PRO

See it in action

Building upon the legacy of its predecessor, the OM-1 Mark II stands ready for any adventure. Dive into our video to explore the exceptional features and capabilities this camera offers.

REVEALING THE SECRETS BEHIND GETTING THE BEST NATURE PHOTOS

Have you ever looked at an image and thought: How in the world did they create that shot?

REVEALING THE SECRETS BEHIND GETTING THE BEST NATURE PHOTOS

Have you ever looked at an image and thought: How in the world did they create that shot?

Technical specifications

OM-1 Mark II
Monitor3.0 inch Vari-angle Touch LCD (approx. 1.62M dots)
Viewfinder Resolution Magnification / CoverageEye-level OLED Electronic Viewfinder, approx. 5.76M dots Approx. 1.48x - 1.65x / Approx. 100% Field of View
Image StabilisationBuilt-in 5-axis Up to 8.5 EV steps*
ImporterOM Digital Solutions GmbH
Willy-Brandt-Strasse 23
20457 Hamburg, Germany
mail: [email protected]
ManufacturerOM Digital Solutions Corporation
49-3 Takakura-machi, Hachioji-shi,
Tokyo 192-0033, Japan
mail: [email protected]
Open full list of technical specifications arrow
arrow OM-1 Mark II technical specifications
Monitor3.0 inch Vari-angle Touch LCD (approx. 1.62M dots)
Viewfinder Resolution Magnification / CoverageEye-level OLED Electronic Viewfinder, approx. 5.76M dots Approx. 1.48x - 1.65x / Approx. 100% Field of View
Image StabilisationBuilt-in 5-axis Up to 8.5 EV steps*
ImporterOM Digital Solutions GmbH
Willy-Brandt-Strasse 23
20457 Hamburg, Germany
mail: [email protected]
ManufacturerOM Digital Solutions Corporation
49-3 Takakura-machi, Hachioji-shi,
Tokyo 192-0033, Japan
mail: [email protected]
  • Type plus minus
    Body materialMagnesium alloy body
    Lens mountMicro Four Thirds
  • Image Sensor plus minus
    Type4/3'' Stacked BSI Live MOS sensor
    Effective pixels20.4 Megapixels
    Full resolution22.9 Megapixels
    Aspect ratio & area4:3 / 17.3 x 13.0mm
    Filter arrayPrimary colour filter (RGB)
  • Engine plus minus
    TypeTruePic X
  • Filter plus minus
    Dust reduction filterSupersonic Wave Filter
  • Viewfinder plus minus
    TypeElectronical Viewfinder
    Pixel number5760K dots
    MagnificationMax. 1.65x with a 50mm lens set to infinity at -1 dioptre (depending on selected viewfinder style)
    Angle of viewApprox. 100%
    Style3 styles selectable
    Brightness adjustmentAdaptive Brightness Technology / Manual settings: +/- 7 levels
    Correction of color temperature+/- 7 levels
    Diopter adjustmentEquipped -4.0 - +2.0 diopters / built-in type
    Eye point21mm at -1 dioptre from eyepiece lens
    S-OVFExpands the Live View dynamic range
    Note*Available in the EVF when in P, A, S, M and B modes. Art filter, WB and exposure are not reflected in EVF.
  • Monitor plus minus
    Monitor typeVari-angle LCD - Touch Panel
    Resolution1620K dots
    Monitor size7.6cm / 3.0'' (3:2)
    Brightness adjustment+/- 7 levels
    Color balance+/- 7 levels
    Touch Control functionsAF area enlargement, AF area selection, Art Filter, Enlargement, Frame forward/backward, Live Guide, Magnified playback, Shooting mode, Shutter release, Subject selection, Super Control Panel, Wi-Fi connection
  • Level Gauge plus minus
    Detection2-axis
    DisplayRear display and viewfinder
  • Live View plus minus
    Field of viewApprox. 100%
    Dynamic range expansionWhen in HDR1 or HDR2
    Magnification levels3 / 5 / 7 / 10 / 14x
    Live ND128S/M mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised.
    Live GNDAvailable*P/A/S/M mode, flash can not be used, ISO up to 3200(up to 1600 in ISO Auto), the maximum shutter speed is 1/16000 (when ND2 is set) and the speed drops if the number of ND steps is raised.
  • Super Control Panel plus minus
    Displayed informationAE bracketing, AEL notification, AF frame, Aperture value, Battery indicator, Colour saturation compensation value, Colour space, Contrast compensation value, Drive mode, Exposure compensation indicator, Exposure level view, Exposure mode, Face detection, Flash compensation value, Flash mode, Focus mode, Gradation, Histogram, Internal temperature warning, ISO, Metering mode, Noise reduction, Number of storable frames, Record mode, Sharpness compensation value, Shutter speed, White balance, White balance compensation value
  • Image Stabiliser plus minus
    Image StabilisationBuilt-in 5-axis Up to 8.5 EV steps*
    TypeSensor shift
    ModesFive-dimensional, vertical or horizontal activation, automatic
    Live View stabilisationAvailable
    Effective Compensation RangeUp to 8.5 EV steps* (Body only)
    Up to 8.5 EV steps** Sync IS
    NoteBased on CIPA measurement conditions*When using M.Zuiko Digital ED 12-40mm F2.8 PRO II. Focal length: 40mm (35mm equivalent: 80mm)**When using the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO. Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilisation Off, Frame rate: High
  • Focusing System plus minus
    MethodTTL phase difference detection system, contrast detection system
    ModesAF* Tracking, Bracketing, Continuous AF*, Manual focus, Preset MF**, Single AF*, Stacking
    Note* incl. manual override** Distance setting values are rough estimates and only AF lenses can be used.
    Predictive AFAvailable
    Intelligent Subject Detection AFAircrafts, Birds, Bullet trains, Cats, Dogs, Formula cars, Helicopters, Human, Motorcycles, Ralley cars, Standard trains, Steam locomotives
    Manual focusAvailable, with enlarged focusing area, focus peaking and focus indicator
    Focus areas1053 points / cross-type phase detection AF
    1053 points / contrast AF
    All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points) , Custom target* (AF area and its increment steps selectable)*Number of saved custom target settings: 4
    AF illuminatorEquipped
    AF lockAvailable, Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised)
    AF targeting padAvailable (activate/deactivate with double tap on rear monitor)
    AF working range-8 - 19EV (ISO approx.100, with a f/1.2 lens)
    Focus limitAvailable
    Separate AF-On buttonAvailable
    AF trackingAvailable, Available in continuous AF mode
    Focus Bracketing ModeCompatible with: All Micro Four Thirds AF lenses
    Number of images3 - 999 shots
    Step size10 levels
    Focus peaking
    Back light effectOn / Off
    Color selectionWhite, black, red, yellow
    IntensityHigh / Normal / Low
    Focus Stacking Mode
    Technology3-15 images are taken at different focus points and automatically composited together into a single image
    Compatible Lenses
    M.Zuiko Digital ED 100-400mm F5.0-6.3 IS,
    M.Zuiko Digital ED 12-100mm F4 IS PRO,
    M.Zuiko Digital ED 12-40mm F2.8 PRO,
    M.Zuiko Digital ED 12-40mm F2.8 PRO II,
    M.Zuiko Digital ED 12-45mm F4 PRO,
    M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO,
    M.Zuiko Digital ED 300mm F4 PRO,
    M.Zuiko Digital ED 30mm F3.5 Macro,
    M.Zuiko Digital ED 40-150mm F2.8 PRO,
    M.Zuiko Digital ED 40-150mm F4.0 PRO,
    M.Zuiko Digital ED 60mm F2.8 Macro,
    M.Zuiko Digital ED 7-14mm F2.8 PRO,
    M.Zuiko Digital ED 8-25mm F4 PRO,
    M.Zuiko Digital ED 8mm F1.8 Fisheye PRO,
    M.Zuiko Digital ED 90mm F3.5 Macro IS PRO
    Compatible ConverterM.Zuiko Digital 1.4x Teleconverter MC-14, M.Zuiko Digital 2x Teleconverter MC-20
    NoteAngle of view becomes slightly smaller
  • Exposure System plus minus
    ModesAperture priority, Bulb, Custom, Custom 1, Custom 2, Custom 3, HDR, Live Composite, Manual, Movie, Programme automatic, Shutter priority, Time
    Exposure compensation+/- 5 EV ( 1, 1/2, 1/3 steps )
    Note: Monitor and EVF displays only up to ±3 EV.
    Exposure bracketing2 / 3 / 5 frames ( +/- 1/3, 2/3, 1 EV steps )
    7 frames ( +/- 1/3, 1/2, 2/3 EV steps )
    ISO bracketing3 frames ( 1/3, 1/2, 1 EV steps )
    HDR bracketing3 / 5 frames ( +/- 2 / 3 EV steps )
    7 frames ( +/- 2 EV steps )
    AE lockAvailable
    Shadow Adjustment Technology
    Flicker Scan: Available for M, S and silent mode (can be confirmed in Live View)
    Anti-Flicker Shooting functionAvailable
  • Multi-Exposure plus minus
    Max. number of frames2 frames (shooting)
    Max. number (editing)3 frames (editing)
    Auto gain controlAvailable
    Frame assistanceLive View
  • Light Metering plus minus
    MethodTTL open aperture light metering
    Zones324 zones Multi-pattern Sensing System
    Detection range-2 - 20 EV (f2.8, ISO 100)
    ModesCentre weighted metering, ESP light metering, Highlight, Shadow, Spot metering
    Histogram in shooting modeAvailable
  • Art Filter plus minus
    ModesBleach Bypass, Cross Process, Diorama, Dramatic Tone, Gentle Sepia, Grainy Film, Instant Film, Key Line, Light Tone, Pale & Light Color, Partial Color*, Pin Hole, Pop Art, Soft Focus, Vintage, Water Color
    Variation / EffectAvailable
    Note* 18 colours selectable
    NoteFrame rate may drop when using certain art filter
  • Sensitivity plus minus
    AutoISO LOW* - 102400 (upper default ISO 25600)
    Note*approx. 80
    ManualISO LOW* - 102400 in 1/3 or 1 EV ISO steps
  • Shutter plus minus
    Shutter typeComputerised focal-plane shutter
    Durability400000 shots
    ModesBracketing, Self timer, Sequential shooting, Single frame
  • Shutter Speeds plus minus
    Standard operation
    Shutter speed range1/8000 - 60s (in 1/3, 1/2, 1 EV steps)
    Bulb modeUp to 30 minutes (selectable longest time in the menu, default: 8 minutes)
    High res shot
    Shutter typeElectronic shutter
    Shutter speed1/8000 - 60s
    Start delay0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
    ResolutionJPEG: 10368x7776 / 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776 *High Res RAW Recording bit: 12bit / 14bit
    Equivalent to 80M* / 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift)
    Available in P/A/S/M mode
    Handheld High res shot
    Shutter typeElectronic shutter
    Shutter speed1/8000 - 60s
    ResolutionJPEG: 8160 x 6120 / 5760 x 4320 RAW: 8160 x 6120 *High Res RAW Recording bit: 12bit / 14bit
    Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift)
    Available in P/A/S/M mode
    Flash can not be used
    Anti-shock mode
    Shutter typeElectronic first curtain shutter
    Shutter speed1/320* - 60s
    Start delay0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s
    Note* For speeds over 1/320 sec., mechanical shutter will automatically be selected.
    Silent mode
    Shutter typeElectronic shutter
    Shutter speed1/32000 - 60s
    Start delay0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
    Flicker Scan
    Stills1/7634 - 1/50s
    Movies1/250 - 1/30s *
    Note* Frame rates greater 30fps are limited to their reciprocal value
  • White Balance plus minus
    Auto Flash adjustmentOff / Auto WB / Flash
    Keep warm colorOn / Off
    White balance bracketing3 frames / +/- 2, 4, 6 mired steps
    Custom WB1 setting can be registered at Kelvin temperature (2000K - 14000K)
    Manual White balance (One-Touch)Available
    One-touch white balance4 custom settings can be registered
    Preset valuesFlash, Flourescent 1, Overcast, Shade, Sunlight, Tungsten, Underwater
  • Sequence Shooting plus minus
    SpeedApprox. 10fps (selectable 1-10fps)
    Anti-shock mode
    SpeedApprox. 10fps (selectable 1-10fps)
    Pro Capture mode
    Speed*Approx. 20fps (selectable 5, 10, 15, 20fps)
    Speed SH1*Approx. 120fps (selectable 60, 100, 120fps)
    Speed SH2* **Approx. 50fps (selectable 25, 50fps)
    Note*Slower shutter speeds and flash cannot be used*Compatible lenses are limited.
    Silent mode
    SpeedApprox. 20fps (selectable 5, 10, 15, 20fps with blackout)
    Speed SH1*Approx. 120fps (selectable 60, 100, 120fps without blackout)
    Speed SH2* **Approx. 50fps (selectable 12.5, 16.7, 25, 50fps without blackout)
    ConditionsMemory card: KIOXIA KSDXU-A064G
    When using the M.Zuiko Digital ED 12-40mm F2.8 PRO II
    Low ISO processing: Priority is given to sequential shooting
    Max. number of framesAll values are approximate
    10fpsRAW: 139 / JPG (LF): 169
    20fpsRAW: 108 / JPG (LF): 116
    50fpsRAW: 96 / JPG (LF): 97
    120fpsRAW: 92 / JPG (LF): 92
    Compatible lenses to SH2 (50fps)M.Zuiko Digital ED 12-40mm F2.8 PRO, M.Zuiko Digital ED 12-40mm F2.8 PRO II, M.Zuiko Digital ED 12-100mm F4.0 IS PRO, M.Zuiko Digital ED 40-150mm F2.8 PRO, M.Zuiko Digital ED 150-400mm F4.5 TC 1.25x IS PRO, M.Zuiko Digital ED 300mm F4.0 IS PRO
    RAW buffer213 frames / 120fps
  • Image Processing plus minus
    Art Filter bracketingAvailable
    Color spacesRGB / AdobeRGB
    Fisheye compensationAvailable when M.Zuiko Digital ED 8mm Fisheye PRO is attached Angle of view adjustable in 3 levels Compensation automatically ON when using Underwater Modes, available (can be confirmed in Live View)
    Gradation4 levels (auto, high key, normal, low key)
    Highlight & Shadow controlHighlight / Shadow / Midtone (+/- 7 steps)
    Black & White filterYellow, Orange, Red, Green
    Black & White toningSepia, Blue, Purple or Green in Black & White mode
    Contrast5 levels
    Saturation5 levels
    Sharpness + Contrast5 levels
    Tele converter effect2x
  • External Flash Control plus minus
    Modes2nd curtain and slow synchronisation, Auto, Fill-in for exclusive flash, Manual, Red-eye reduction, Slow synchronisation
    TypeAUTO, FP MANUAL, FP TTL AUTO, MANUAL, TTL AUTO
    X-sync speed1/250s / 1/8000s (Super FP Mode)
    Intensity+/- 3 EV ( 1/3, 1/2, 1 EV steps )
    Compatible external flashFL-LM3, FL-600R, FL-900R, STF-8, FL-700WR
    NoteNote: Some functions are only available if they are supported by the external flash.
  • Wireless Flash Control plus minus
    Available when used together with cameras compatible with the OM System (Olympus) wireless RC flash system.
    ModesAuto, FP Manual, FP TTL Auto, Manual, TTL Auto
    Optical control
    Control methodTriggered and controlled (OM System (Olympus) Wireless RC Flash system)
    Group setting4 groups
    Compatible external flashFL-LM3, FL-600R, FL-900R, STF-8, FL-700WR
    Radio control
    Radio wireless controlAvailable when attaching optional flash commander.
    Number of channels4 channels
    Group setting3 groups
    Compatible commanderFC-WR, FL-700WR
    NoteFor more details see specifications of commander units.
    Compatible receiverFL-700WR, FR-WR + wireless RC system flash
    Number of channels4 channels
  • Recording Formats plus minus
    JPEGApplied
    RAW12bit
    RAW & JPEGApplied parallel recording
    Aspect ratio4:3 / 3:2 / 16:9 / 6:6 / 3:4
  • Still Image Recording plus minus
    DCFApplied
    Dual SD card settingsStandard, Auto Switch, Dual Independent, Dual Same
    When two cards are inserted, card to be saved onto or to be viewed can be designated.
    EXIF2.31
    RAWApplied
  • Image Size plus minus
    RAW5184 x 3888
    JPEG5184 x 3888 - 1024 x 768
  • Movie Recording System plus minus
    Recording formatMOV(MPEG-4AVC/H.264)/ MOV (HEVC/H.265)
    Picture modeFlat, OM-Log400, HLG (View assist compatible)
    Time codeRec run / Free run
    Drop frame / Non-drop frame
    Exposure ModesAperture priority, Manual, Programme automatic, Shutter priority
    Image Stabilisation ModeApplied Sensor shift (5-axis)
    M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS)
    M-IS2 (Image sensor shift with multi motion IS)
    Video Quality4K, C4K, Full HD, High Speed Movie FHD
    Filter Video QuailityC4K: 60p, 50p, 30p, 25p, 24p | 4K: 60p, 50p, 30p, 25p, 24p | Full HD: 60p, 50p, 30p, 25p, 24p | High Speed Movie: 1920x1080 (FHD) / 240fps, 200fps, 120fps, 100fps, 100fps
    MOV(MPEG-4AVC/H.264)
    48kHz/16bit
    3840x2160 (4K)30p, 25p, 24p / LongGOP (approx. 102 Mbps)
    60p, 50p / LongGOP (approx. 202 Mbps)
    4096x2160 (C4K)30p, 25p, 24p / LongGOP (approx. 102 Mbps)
    60p, 50p / LongGOP (approx. 202 Mbps)
    1920x1080 (FHD)30p, 25p, 24p / ALL-I (approx. 202 Mbps)
    60p, 50p / LongGOP (approx. 52 Mbps)
    / LongGOP (approx. 27 Mbps)
    MOV (HEVC/H.265)
    48kHz/16bit
    3840x2160 (4K)30p, 25p, 24p / LongGOP (approx. 77 Mbps)
    60p, 50p / LongGOP (approx. 152 Mbps)
    4096x2160 (C4K)30p, 25p, 24p / LongGOP (approx. 77 Mbps)
    60p, 50p / LongGOP (approx. 152 Mbps)
    1920x1080 (FHD)30p, 25p, 24p / ALL-I (approx. 82 Mbps)
    60p, 50p / ALL-I (approx. 162 Mbps)
    / LongGOP (approx. 42 Mbps)
    / LongGOP (approx. 22 Mbps)
    NoteClass 10 or higher SD card is recommended for movie shootingUHS-II or UHS-I U3 card is recommended for ALL-I shooting
    Maximum Recording TimeUnlimited
  • Movie Specialties plus minus
    Art FilterBleach Bypass, Cross Process, Diorama, Dramatic Tone, Gentle Sepia, Grainy Film, Instant Film, Key Line, Light Tone, Pale & Light Colour, Partial Colour*, Pin Hole, Pop Art, Soft Focus, Vintage, Water colour
    Fast motionAvailable
    Flicker ScanAvailable in M mode (can be confirmed in Live View)
    HDMI Live View
    ModesMonitor / Record / RAW
    Monitor modeVideo signal and info display is processed
    NoteIn monitor mode, the image cannot be enlarged on the camera when a movie is being recorded.
    RAW mode
    Compatible external deviceATOMOS NINJA, NINJA ULTRA, NINJA V, NINJA V+
    Notification:In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded.ProRes RAW 4:4:4 12bit is supported
    Record modeOnly video signal is processed
    NoteIn record mode, movie quality can be set to YCbCr 4:2:2 (8 bit).When recording simultaneously in the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2.
    High-Speed Recording1920x1080 (MOV) / 240fps
    1920x1080 / 120fps
    1920x1080 / 100fps
    Time lapse4k, 1080p, 720p / 5, 10, 15, 30fps
    Max. number of frames: 9999
    Slow motionAvailable
    Vertical VideoAvailableVideo files are saved vertically when holding the camera vertically to shoot. Videos are not played in the vertical orientation on the camera.
  • Sound Recording System plus minus
    Recording formatHigh quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz)
    Stereo PCM/16bit, 48kHz, Wave Format Base
    SpeakerEquipped
    Image footage30s
    Internal microphoneStereo
    Microphone functionsRecording Volume, Volume limiter, Wind Noise Reduction
  • View Images plus minus
    ModesCalendar, Enlargement, Index, Movie, Single-frame
    Shooting informationOff / On
    Highlight/Shadow point warningAvailable
    Histogram in playback modeAvailable
    Auto rotationAvailable
  • Erase / Protect / Copy Function plus minus
    Erase modesSingle, All, Selected
    Image protect modeSingle frame, Selected frames, All Frames, Release protect (Single/All selected)
  • Image Editing plus minus
    Editing functionsAspect ratio, Black & White, Correction of brightness, Correction of colour balance, Correction of saturation, RAW data edit, Red-eye reduction, Resize, Sepia, Shadow Adjustment, Trimming
  • Customisation Options plus minus
    Programmable buttonEquipped
    Fn ButtonEquipped
    My Mode4 settings storable (Can be set to mode dial.)
    Factory resetFull / Basic
    Menu languages in cameraCzech, Dutch, English, Finnish, French, German, Italian, Japanese, Norwegian, Polish, Portuguese, Russian, Simplified Chinese, Spanish, Swedish, Thai, Traditional Chinese, Turkish
  • Interface plus minus
    Earphone jack3.5 ø mm mini-jack
    Synchro socketEquipped
    HDMI™Applied Micro connector (Type D) *
    Microphone jack3.5 ø mm mini-jack
    USB 3Type C
    Wireless connectivityBluetooth®, Wi-Fi
    Communication methodBluetooth® Low Energy Ver.4.2
    MediaSD Memory Card (SDHC, SDXC, UHS-I, UHS-II compatible) Class 10 or higher SD card is recommended for movie shooting UHS-II or UHS-I U3 card is recommended for 4K, C4K, ALL-I shooting.
    SAR0.52W/kg
    NoteSAR quantifies the maximum level of exposure of the user to electromagnetic waves, when using the device close to the head.
    SAR shall not exceed 2W/kg in accordance with regulations of France.
    Tethered controlAvailable USB cable (camera operation by both PC or camera controls)
    Wi-Fi (transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
    Note* "HDMI", the HDMI logo and "High-Definition Multimedia Interface" are trademarks or registered trademarks of HDMI Licensing LLC.
    The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any use of such marks by OLYMPUS CORPORATION is under license.
    Wi-Fi is a registered trademark of the Wi-Fi Alliance.
  • Wi-Fi Functions plus minus
    Easy ConnectionQR code setting
    Wireless ShootingBulb mode, Live Composite, Live View, Movie recording, P/A/S/M exposure modes, Power off, Rec View, Self timer, Short movie, Touch AF & Shutter, Zoom
  • Tough Features plus minus
    WeatherproofDustproof, Freezeproof, Splashproof
    Weatherproof ConstructionSplashproof / Dustproof
    NoteIEC Standard publication 60529 IP53 (applies when the body is used with splashproof lens. When used with IP53 lens, performance is IP53, when used with IPX1 lens, performance becomes IPX1.)
    Freezeproof-10°C
  • Power Supply plus minus
    Battery life
    Image shooting520 shots (using BLX-1 under CIPA testing conditions) 1100 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
    Movie recording90min (standard JEITA conditions) 160min (when zoom and other operational functions are not used)* Note: Values are approximate.
    BatteryBLX-1 Lithium-Ion Battery
    Internal ChargingUSB
    Sleep mode1, 3, 5min. and off selectable.
    USB bus powerUSB PD bus power can be used (PD compliant camera: Rev 3.0 Ver 1.0a)
    USB chargingPerformance varies depending on different USB devices
    USB ChargerNo charger included Charger not included




    Min-Max PowerMin/Max power requirement
    Power Consumption(according to Ecodesign regulation 2023/826)
    Power (W) / Transition time (min)
    Off0 / 1
    Stand by- / -
    Network Stand by0 / 1
  • Dimensions / Weight plus minus
    Width138.8mm
    Depth72.7mm
    Height91.6mm
    Weight599g (including battery and memory card)
    Weight (body only)511g (body only)
  • Environment plus minus
    Humidity30 - 90% operation humidity / 10 - 90% storage humidity
    Temperature-10 - 40°C Operating temperature / -20 - 60°C storage temperature
  • Exterior plus minus
    Available ColoursBlack
  • Product safety plus minus
    ImporterOM Digital Solutions GmbH
    Willy-Brandt-Strasse 23
    20457 Hamburg, Germany
    mail: [email protected]
    ManufacturerOM Digital Solutions Corporation
    49-3 Takakura-machi, Hachioji-shi,
    Tokyo 192-0033, Japan
    mail: [email protected]

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OM-1 Mark II – Bird, macro, wildlife, landscape & outdoor sports photography FAQ

The OM SYSTEM OM-1 Mark II is purpose-built for bird photography, featuring intelligent AI Detection AF that locks onto birds in flight — even when they’re flying directly towards the camera. Its ultra-fast stacked sensor readout enables 50fps AF/AE bursts, 120fps fixed AF, and a blackout-free EVF, allowing you to track subjects smoothly without losing sight.


Pro Capture acts as a “pre-shutter,” buffering frames before release so you never miss sudden take-offs or landings. Unlike many rival cameras that drop to JPEG or lower resolution in high-speed modes, the OM-1 Mark II maintains full-resolution RAW with a generous 213-frame buffer.

Compact and weather-sealed, the system is easy to shoot handheld — around 2.5 kg with the M.Zuiko 150-400mm F4.5 TC1.25X IS PRO or 1.9 kg with the 100-400mm F5.0-6.3 IS II. Thanks to the Micro Four Thirds 2× crop, the 150-400mm delivers a 300–800mm F4.5 equivalent reach in a genuinely portable package. By contrast, full-frame systems offering similar reach (600mm or 800mm F4.0 primes) are typically at least twice as large, twice as heavy, and two to three times more expensive.


This combination of AI autofocus, stacked-sensor speed, uncompromised Pro Capture RAW, blackout-free tracking, extended telephoto reach, and unmatched portability makes the OM-1 Mark II one of the best bird photography cameras available today.


  • AI Bird Detection AF tracks birds in flight, even flying head-on.
  • 50fps AF/AE or 120fps fixed AF with blackout-free sequential shooting and up to 213 RAW buffer.
  • Pro Capture pre-shutter eliminates human reaction delays to catch sudden take-offs and landings with ease.
  • Handheld shooting possible with 150–400mm F4.5 TC1.25X IS PRO (~2.5 kg) or 100–400mm F5.0-6.3 IS II (~1.9 kg).
  • Full-frame systems with similar reach are at least twice as large, twice the weight, and two to three times the cost.

The OM SYSTEM OM-1 Mark II is exceptional for macro photography, combining intelligent in-camera focus stacking with the inherent advantages of the Micro Four Thirds format: 2× greater depth of field and 2× effective magnification compared to full frame. Its best-in-class 5-axis image stabilisation ensures sharp results even at extreme magnifications where full frame often struggles.


The M.Zuiko macro lineup includes the 30mm F3.5 Macro, 60mm F2.8 Macro, and flagship 90mm F3.5 Macro IS PRO, alongside several telezooms with remarkably close focusing. These longer working-distance zooms make it easier to photograph delicate subjects such as butterflies without disturbing them, and can achieve true 1:1 macro reproduction with teleconverters. The 90mm F3.5 Macro IS PRO stands alone in the industry, delivering up to 4× equivalent magnification — or an extraordinary 8× with the MC-20 teleconverter — a capability unmatched by full-frame systems.


Fully weather-sealed and equipped with advanced computational tools like focus stacking and bracketing, the OM-1 Mark II makes handheld macro practical in rain, mist, or damp environments.

With stabilisation, computational precision, extended depth of field, long working distances, extreme magnification, and the most complete macro lens system available, the OM SYSTEM OM-1 Mark II confirms Micro Four Thirds as one of the best formats for macro photography.


  • Micro Four Thirds delivers 2× depth of field and 2× effective magnification vs full-frame.
  • Best-in-class 5-axis stabilisation and in-camera focus stacking for handheld sharpness.
  • Dedicated M.Zuiko macro lenses: 30mm F3.5 Macro , 60mm F2.8 Macro, and 90mm F3.5 Macro IS PRO (up to 8× equivalent magnification with MC-20 teleconverter).
  • M.Zuiko telezooms with close focus provide longer working distances for delicate subjects like butterflies.
  • Full-frame systems lack such extreme magnification or a macro lens as advanced as the 90mm F3.5 Macro IS PRO.

The OM SYSTEM OM-1 Mark II excels in wildlife photography because reach, speed, and silence are essential in the field — and this system delivers all three. With the M.Zuiko 150-400mm F4.5 TC1.25X IS PRO, you already achieve a 300–800mm F4.5 equivalent thanks to the Micro Four Thirds 2× crop. Adding the MC-20 teleconverter, together with the lens’s built-in 1.25× converter, extends this to an extraordinary 2000mm equivalent, all in a system weighing around 2.5 kg and compact enough for handheld use. By contrast, full-frame setups offering similar focal lengths require 600mm or 800mm primes that are typically at least twice as large, twice as heavy, and two to three times more expensive.


The OM-1 Mark II’s silent electronic shutter allows you to photograph shy or sensitive animals without disturbance — essential for intimate behaviour and quiet environments. Intelligent AI Detection AF recognises and tracks wildlife, even when the subject is moving directly towards the camera. Meanwhile, the ultra-fast stacked sensor readout enables 50fps AF/AE bursts, 120fps fixed AF, and blackout-free EVF tracking to follow unpredictable movement seamlessly.


Pro Capture functions as a “pre-shutter,” buffering frames before you press the button so sudden leaps, chases, or take-offs are never missed. Unlike many rival systems that limit high-speed bursts to JPEG or reduced resolution, the OM-1 Mark II maintains full-resolution RAW with a generous 213-frame buffer.


With unmatched reach, silent operation, stacked-sensor speed, Pro Capture RAW, blackout-free viewing, and lightweight portability, the OM-1 Mark II is the ultimate companion for wildlife photographers.


  • Silent shutter avoids disturbing sensitive animals.
  • AI Subject Detection AF tracks mammals and birds, even head-on.
  • Extreme reach: 300–800mm equivalent with 150–400mm F4.5 TC1.25X IS PRO, up to 2400mm with 150-600mm F5.0-6.3 IS and the MC-20 teleconverter.
  • 50fps AF/AE or 120fps fixed AF with blackout-free shooting and 213 RAW buffer for unpredictable action.
  • Full-frame wildlife kits offering similar reach are more than twice the size, weight, and price.

The OM SYSTEM OM-1 Mark II is ideal for landscape photography because it delivers professional image quality in a lightweight, highly portable system — allowing you to hike to remote viewpoints without heavy gear or tripods. With industry-leading weather sealing, it performs reliably in rain, snow, wind, or dusty conditions, so your creativity isn’t limited by the environment.


The camera offers advanced computational tools such as 14-bit High Res Shot (up to 80MP), Live ND, Live GND, and in-camera Focus Stacking. Live ND lets you smooth waterfalls, rivers, and moving clouds without carrying physical filters, while Live GND balances bright skies and darker foregrounds for perfect sunrise or sunset exposures. Focus Stacking extends depth of field even at lower f-values, preserving sharpness without diffraction softening. With 5-axis Sync IS and lenses like the M.Zuiko 12-100mm F4.0 IS PRO, you can capture multi-second handheld exposures that would normally require a tripod.


M.Zuiko’s telecentric lens design ensures corner-to-corner sharpness and outstanding optical detail. Wide-angle options include the 8-25mm F4.0 PRO (approx. 1 kg with body) and the 7-14mm F2.8 PRO (approx. 1.1 kg with body), while the 12-100mm F4.0 IS PRO (approx. 1.2 kg with body) offers an all-in-one solution for sweeping vistas and telephoto compression. For more creative perspectives, the 8mm F1.8 Fisheye PRO delivers a dramatic 180° field of view — the only lens of its kind in the market.


For nightscapes, the OM-1 Mark II provides Starry Sky AF for fast, accurate focusing on stars, and Live Composite for building star trails in real time without overexposure — making astrophotography intuitive and accessible.


By combining portability, computational precision, advanced nightscape tools, and a uniquely versatile lens system, the OM-1 Mark II allows landscape photographers to travel lighter, shoot longer, and capture exceptional detail without compromise.


  • 14-bit High Res Shot up to 80MP and Focus Stacking deliver maximum detail and depth.
  • Live ND for smoothing water and Live GND for balanced skies — no extra filters required.
  • Wide options include 8–25mm F4 PRO, 7–14mm F2.8 PRO, and unique 8mm F1.8 Fisheye PRO (180°).
  • The 12–100mm F4 IS PRO with Sync IS enables multi-second handheld long exposures.
  • Full-frame landscape setups typically require heavier lenses and tripods, doubling the weight compared to OM SYSTEM solutions.

The OM SYSTEM OM-1 Mark II is built for action, featuring advanced Human Detection AF that locks precisely onto athletes to maintain sharp focus as they sprint, jump, or move directly towards the camera. Continuous AF sensitivity controls give photographers the ability to keep focus on the chosen athlete while ignoring players crossing in front or distracting background motion.


Powered by an ultra-fast stacked sensor, the OM-1 Mark II delivers 50fps bursts with full AF/AE tracking or up to 120fps in fixed AF, all with blackout-free EVF viewing. Pro Capture functions as a “pre-shutter,” buffering frames before the shutter is pressed so decisive moments — a sprinter leaving the blocks, a footballer’s strike, or a cyclist’s acceleration — are never missed. Unlike many rival systems that limit high-speed sequences to JPEG or reduced resolution, the OM-1 Mark II records full-resolution RAW with a 213-frame buffer.


Agility is a major advantage. The compact, weather-sealed body paired with lightweight M.Zuiko telephoto lenses makes the system easy to manoeuvre along sidelines or in crowded stadiums. Unlike full-frame setups that often require heavy 400mm or 600mm lenses mounted on monopods, the OM-1 Mark II can be used handheld, allowing photographers to move freely and react instantly as the action unfolds.


This combination of Human Detection AF, customisable continuous AF, stacked-sensor speed, Pro Capture RAW, and unmatched portability makes the OM-1 Mark II a powerful and flexible tool for sports and action photography.


  • Human Detection AF locks onto athletes with precision.
  • Continuous AF sensitivity control keeps tracking on the intended subject.
  • 50fps AF/AE or 120fps fixed AF with blackout-free shooting and 213-frame RAW buffer.
  • Pro Capture pre-shutter overcomes reaction delays to freeze critical moments.
  • Full-frame action systems need heavier 400mm/600mm primes tied to monopods, reducing agility.

The OM SYSTEM OM-1 Mark II features the most advanced sensor technology ever seen in a Micro Four Thirds camera — a stacked BSI (Back-Side Illuminated) Live MOS sensor. This state-of-the-art design dramatically increases readout speed by placing circuitry behind the light-gathering surface, allowing more light to reach each pixel and reducing electronic noise.


The ultra-fast stacked architecture provides significant advantages:

  • Reduced rolling shutter for distortion-free capture of fast-moving subjects.
  • Blackout-free sequential shooting for uninterrupted EVF tracking.
  • Exceptional burst performance — up to 50fps with AF/AE tracking or 120fps in fixed AF, recorded in full-resolution RAW.
  • Improved low-light capability, with up to a +2 EV performance gain compared to conventional CMOS sensors, thanks to the BSI layout maximising light efficiency.


This technology, normally found in flagship full-frame sports cameras costing several times more, brings professional-level speed and image quality to a compact, lightweight system at an accessible price point.


In real-world use, the stacked BSI sensor is transformative: whether tracking birds in flight, capturing unpredictable wildlife, or freezing the decisive moment in sports, it ensures you respond instantly and never miss the shot.


The OM SYSTEM OM-1 Mark II and M.Zuiko lenses form a uniquely complete and highly capable system, combining ultra-fast stacked sensor speed, advanced computational photography, industry-leading 5-axis image stabilisation, and exceptional portability. The system achieves up to IP53 weather sealing — and OM SYSTEM is one of the few brands that officially certifies its weather resistance, giving photographers genuine confidence in demanding outdoor conditions.


Unlike many competitors, there is no inconsistency in lens–body compatibility. Every M.Zuiko lens is designed to work seamlessly with the OM-1 Mark II, ensuring reliable autofocus, stabilisation performance, and optical quality across the entire range. From ultra-wide to super-telephoto, and from specialist macro to versatile all-in-ones, the M.Zuiko PRO lineup is one of the most complete mirrorless lens ecosystems available.


Thanks to the Micro Four Thirds format, photographers benefit from extended telephoto reach in significantly smaller and lighter lenses. For example, the M.Zuiko 150-400mm F4.5 TC1.25x IS PRO delivers a 300–800mm equivalent field of view in a system weighing around 2.5 kg — whereas full-frame equivalents are typically more than twice the size, twice the weight, and two to three times the price. Full-frame systems also lack such a comprehensive choice of focal lengths, accessories, and specialised optics.


Add in computational tools such as Live ND, Live GND, Focus Stacking, and High Res Shot — plus Pro Capture RAW bursts up to 120fps — and the OM-1 Mark II offers capabilities that competing systems cannot match at any price point.


Ultimately, it raises the question: what other system delivers this combination of speed, computational power, stacked sensor technology, guaranteed lens compatibility, extended reach, trusted weather sealing, and genuine portability — all at such an accessible price?