OM-1 Mark II
OM-1 Mark II
Revealing wonder.
The OM-1 Mark II is a statement of blazing fast speeds, unparalleled computational capabilities and tactile usability with refinements throughout the camera. What the OM-1 Mark II presents is a true wonder of outdoor photography equipment that will perform wherever you go.
8.5 EV Stops of stabilisation
Pro Capture
120fps – S-AF in RAW 50fps – C-AF in RAW
Bird, Human, Pets, Cars, Aircrafts & Trains AI Subject Detection AF
Blackout-free sequential shooting
120fps - 213 frame buffer in RAW 50fps - 256 frame buffer in RAW
LiveGND GND2, GND4 & GND8
LiveND From ND2 to ND128
Highres Shot up to 80MP 14-bit RAW
Never miss a moment with a large buffer size for sequential shooting, enhanced AI Subject Detection AF and blazing performance.
Industry-leading computational photography features such as LiveGND and High Res Shot to give you the edge.
Go lighter with an improved body feel, 8.5 stops of stabilising power and stellar battery life.
Built to perform in every environment you find yourself in with IP53 certified weathersealing.
We improved the AI Subject Detection not only to maintain focus more accurately and reliably, but also to detect humans. The enhanced AI Subject Detection allows you to selectively focus on a single subject, giving you precision in crowded scenes.
OM-1 Mark II significantly enhances Auto Focus precision, especially for wildlife and adventure outdoor photography. This translates to an Auto Focus system that reliably locks onto subjects even in the most demanding photographic scenarios.
With our Pro Capture Mode when you press the shutter button down halfway, it begins buffering a running series of photos at 120fps. When you see the moment you want, fully press the shutter and the camera saves that moment plus the buffered shots. Never miss a shot again because of a slow reaction.
Introducing the new LiveGND, our Graduated Neutral Density filter for creative freedom to position the graduation precisely as you like.
The High Res Shot mode has always been a standout feature, and now, you can capture photos in 14-bit RAW.
• 80MP with tripod
• 50MP handheld
The OM-1 Mark II boasts an impressive 8.5 EV stops of stabilisation, taking it 1.5 stops further than the already impressive OM-1. It also features Sync-IS up to 8.5 stops.
The OM-1 Mark II can take everything from snowy mountain tops to desert sands. The IP53 standard indicates our dedication to keep your camera dust and splash proof.
Technical specifications

- Viewfinder Resolution Magnification / Coverage Eye-level OLED Electronic Viewfinder, approx. 5.76M dots Approx. 1.48x - 1.65x / Approx. 100% Field of View
- Monitor 3.0 inch Vari-angle Touch LCD (approx. 1.62M dots)
- Image Stabilisation Built-in 5-axis Up to 8 EV steps*
- Available protection plans PROTECT
- Extended Manufacturer Coverage- 1 year manufacturer's warranty, + an additional 2 years with protection plan
- Product Replacement
- Expedited Service (return product within 3 business days of receipt at the repair center)
- Genuine OM SYSTEM Parts
PROTECT +
Everything included under the PROTECT plan, plus:
- Accidental Damage Protection
- Annual Clean & Check Service
- Viewfinder Resolution Magnification / Coverage Eye-level OLED Electronic Viewfinder, approx. 5.76M dots Approx. 1.48x - 1.65x / Approx. 100% Field of View
- Monitor 3.0 inch Vari-angle Touch LCD (approx. 1.62M dots)
- Image Stabilisation Built-in 5-axis Up to 8 EV steps*
- Available protection plans PROTECT
- Extended Manufacturer Coverage- 1 year manufacturer's warranty, + an additional 2 years with protection plan
- Product Replacement
- Expedited Service (return product within 3 business days of receipt at the repair center)
- Genuine OM SYSTEM Parts
PROTECT +
Everything included under the PROTECT plan, plus:
- Accidental Damage Protection
- Annual Clean & Check Service
- Type
- Body material Magnesium alloy body
- Lens mount Micro Four Thirds
- Image Sensor
- Type 4/3'' Stacked BSI Live MOS sensor
- Effective pixels 20.4 Megapixels
- Full resolution 22.9 Megapixels
- Aspect ratio & area 4:3 / 17.3 x 13.0mm
- Filter array Primary colour filter (RGB)
- Engine
- Type TruePic X
- Filter
- Dust reduction filter Supersonic Wave Filter
- Viewfinder
- Type Electronical Viewfinder
- Pixel number 5760K dots
- Magnification Max. 1.65x with a 50mm lens set to infinity at -1 dioptre (depending on selected viewfinder style)
- Angle of view Approx. 100%
- Style 3 styles selectable
- Brightness adjustment Adaptive Brightness Technology / Manual settings: +/- 7 levels
- Correction of color temperature +/- 7 levels
- Diopter adjustment Equipped -4.0 - +2.0 diopters / built-in type
- Eye point 21mm at -1 dioptre from eyepiece lens
- S-OVF Expands the Live View dynamic range
- Note *Available in the EVF when in P, A, S, M and B modes. Art filter, WB and exposure are not reflected in EVF.
- Monitor
- Monitor type Vari-angle LCD - Touch Panel
- Resolution 1620K dots
- Monitor size 7.6cm / 3.0'' (3:2)
- Brightness adjustment +/- 7 levels
- Color balance +/- 7 levels
- Touch Control functions AF area enlargement, AF area selection, Art Filter, Enlargement, Enlargement playback, Frame forward/backward, Live Guide, Shooting mode, Shutter release, Subject selection, Super Control Panel, Wi-Fi connection
- Level Gauge
- Detection 2-axis
- Display Rear display and viewfinder
- Live View
- Field of view Approx. 100%
- Dynamic range expansion When in HDR1 or HDR2
- Magnification levels 3 / 5 / 7 / 10 / 14x
- Live ND 128S/M mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised.
- Live GND Available*P/A/S/M mode, flash can not be used, ISO up to 3200(up to 1600 in ISO Auto), the maximum shutter speed is 1/16000 (when ND2 is set) and the speed drops if the number of ND steps is raised.
- Super Control Panel
- Displayed information AE bracketing, AEL notification, AF frame, Aperture value, Battery indicator, Colour saturation compensation value, Colour space, Contrast compensation value, Drive mode, Exposure compensation indicator, Exposure level view, Exposure mode, Face detection, Flash compensation value, Flash mode, Focus mode, Gradation, Histogram, Internal temperature warning, ISO, Metering mode, Noise reduction, Number of storable frames, Record mode, Sharpness compensation value, Shutter speed, White balance, White balance compensation value
- Image Stabiliser
- Type Sensor shift
- Modes Five-dimensional, vertical or horizontal activation, automatic
- Live View stabilisation Available
- Effective Compensation Range Up to 8.5 EV steps* (Body only)
Up to 8.5 EV steps** Sync IS - Note Based on CIPA measurement conditions*When using M.Zuiko Digital ED 12-40mm F2.8 PRO II. Focal length: 40mm (35mm equivalent: 80mm)**When using the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO. Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilisation Off, Frame rate: High
- Focusing System
- Method TTL phase difference detection system, contrast detection system
- Predictive AF Available
- Manual focus Available, with enlarged focusing area, focus peaking and focus indicator
- Focus areas 1053 points / cross-type phase detection AF
1053 points / contrast AF
All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points) , Custom target* (AF area and its increment steps selectable)*Number of saved custom target settings: 4 - AF illuminator Equipped
- AF lock Available, Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised)
- AF targeting pad Available (activate/deactivate with double tap on rear monitor)
- AF working range -8 - 19EV (ISO approx.100, with a f/1.2 lens)
- Focus limit Available
- Separate AF-On button Available
- AF tracking Available, Available in continuous AF mode
- Focus Bracketing Mode Compatible with: All Micro Four Thirds AF lenses
- Number of images 3 - 999 shots
- Step size 10 levels
- Modes AF* Tracking, Bracketing, Continuous AF*, Manual focus, Preset MF**, Single AF*, Stacking
- Note * incl. manual override** Distance setting values are rough estimates and only AF lenses can be used.
- Focus peaking
- Back light effect On / Off
- Color selection White, black, red, yellow
- Intensity High / Normal / Low
- Intelligent Subject Detection AF Aircrafts, Birds, Bullet trains, Cats, Dogs, Formula cars, Helicopters, Human, Motorcycles, Ralley cars, Standard trains, Steam locomotives
- Focus Stacking Mode
- Technology 3-15 images are taken at different focus points and automatically composited together into a single image
- Compatible Lenses M.Zuiko Digital ED 100-400mm F5.0-6.3 IS, M.Zuiko Digital ED 12-100mm F4 IS PRO, M.Zuiko Digital ED 12-40mm F2.8 PRO, M.Zuiko Digital ED 12-40mm F2.8 PRO II, M.Zuiko Digital ED 12-45mm F4 PRO, M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO, M.Zuiko Digital ED 300mm F4 PRO, M.Zuiko Digital ED 30mm F3.5 Macro, M.Zuiko Digital ED 40-150mm F2.8 PRO, M.Zuiko Digital ED 40-150mm F4.0 PRO, M.Zuiko Digital ED 60mm F2.8 Macro, M.Zuiko Digital ED 7-14mm F2.8 PRO, M.Zuiko Digital ED 8-25mm F4 PRO, M.Zuiko Digital ED 8mm F1.8 Fisheye PRO, M.Zuiko Digital ED 90mm F3.5 Macro IS PRO
- Compatible Converter M.Zuiko Digital 1.4x Teleconverter MC-14, M.Zuiko Digital 2x Teleconverter MC-20
- Note Angle of view becomes slightly smaller
- Exposure System
- Modes Aperture priority, Bulb, Custom 1, Custom 2, Custom 3, Custom shooting, HDR, Live Composite, Manual, Movie, Programme automatic, Shutter priority, Time
- Exposure compensation +/- 5 EV ( 1, 1/2, 1/3 steps )
Note: Monitor and EVF displays only up to ±3 EV. - Exposure bracketing 2 / 3 / 5 frames ( +/- 1/3, 2/3, 1 EV steps )
7 frames ( +/- 1/3, 1/2, 2/3 EV steps ) - ISO bracketing 3 frames ( 1/3, 1/2, 1 EV steps )
- HDR bracketing 3 / 5 frames ( +/- 2 / 3 EV steps )
7 frames ( +/- 2 EV steps ) - AE lock Available
Shadow Adjustment Technology
Flicker Scan: Available for M, S and silent mode (can be confirmed in Live View) - Anti-Flicker Shooting function Available
- Multi-Exposure
- Max. number of frames 2 frames (shooting)
- Max. number (editing) 3 frames (editing)
- Auto gain control Available
- Frame assistance Live View
- Light Metering
- Method TTL open aperture light metering
- Zones 324 zones Multi-pattern Sensing System
- Detection range -2 - 20 EV (f2.8, ISO 100)
- Modes Centre weighted metering, ESP light metering, Highlight, Shadow, Spot metering
- Histogram in shooting mode Available
- Art Filter
- Modes Bleach Bypass, Cross Process, Diorama, Dramatic Tone, Gentle Sepia, Grainy Film, Instant Film, Key Line, Light Tone, Pale & Light Colour, Partial Colour*, Pin Hole, Pop Art, Soft Focus, Vintage, Water colour
- Variation / Effect Available
- Note * 18 colours selectable
- Sensitivity
- Auto ISO LOW* - 102400 (upper default ISO 25600)
- Note *approx. 80
- Manual ISO LOW* - 102400 in 1/3 or 1 EV ISO steps
- Shutter
- Shutter type Computerised focal-plane shutter
- Durability 400000 shots
- Modes Bracketing, Self timer, Sequential shooting, Single frame
- Shutter Speeds
- Shutter speed range 1/8000 - 60s (in 1/3, 1/2, 1 EV steps)
- Bulb mode Up to 30 minutes (selectable longest time in the menu, default: 8 minutes)
- High res shot
- Shutter type Electronic shutter
- Shutter speed 1/8000 - 60s
- Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
- Resolution JPEG: 10368x7776 / 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776 *High Res RAW Recording bit: 12bit / 14bit
Equivalent to 80M / 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift)
Available in P/A/S/M mode - Handheld High res shot
- Shutter type Electronic shutter
- Shutter speed 1/8000 - 60s
- Resolution JPEG: 8160 x 6120 / 5760 x 4320 RAW: 8160 x 6120 *High Res RAW Recording bit: 12bit / 14bit
Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift)
Available in P/A/S/M mode
Flash can not be used - Anti-shock mode
- Shutter type Electronic first curtain shutter
- Shutter speed 1/320* - 60s
- Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s
- Note * For speeds over 1/320 sec., mechanical shutter will automatically be selected.
- Silent mode
- Shutter type Electronic shutter
- Shutter speed 1/32000 - 60s
- Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
- Flicker Scan
- Stills 1/7634 - 1/50s
- Movies 1/250 - 1/30s *
- Note * Frame rates greater 30fps are limited to their reciprocal value
- White Balance
- Auto Flash adjustment Off / Auto WB / Flash
- Keep warm color On / Off
- White balance bracketing 3 frames / +/- 2, 4, 6 mired steps
- Custom WB 1 setting can be registered at Kelvin temperature (2000K - 14000K)
- Manual White balance (One-Touch) Available
- One-touch white balance 4 custom settings can be registered
- Preset values Flash, Flourescent 1, Overcast, Shade, Sunlight, Tungsten, Underwater
- Sequence Shooting
- Speed Approx. 10fps (selectable 1-10fps)
- Anti-shock mode
- Speed Approx. 10fps (selectable 1-10fps)
- Pro Capture mode
- Speed* Approx. 20fps (selectable 5, 10, 15, 20fps)
- Speed SH1* Approx. 120fps (selectable 60, 100, 120fps)
- Speed SH2* ** Approx. 50fps (selectable 25, 50fps)
- Note *Slower shutter speeds and flash cannot be used*Compatible lenses are limited.
- Silent mode
- Speed Approx. 20fps (selectable 5, 10, 15, 20fps with blackout)
- Speed SH1* Approx. 120fps (selectable 60, 100, 120fps without blackout)
- Speed SH2* ** Approx. 50fps (selectable 12.5, 16.7, 25, 50fps without blackout)
- Conditions Memory card: KIOXIA KSDXU-A064G
When using the M.Zuiko Digital ED 12-40mm F2.8 PRO II
Low ISO processing: Priority is given to sequential shooting - Max. number of frames All values are approximate
- RAW buffer 213 frames / 120fps
- 10fps RAW: 139 / JPG (LF): 169
- 20fps RAW: 108 / JPG (LF): 116
- 50fps RAW: 96 / JPG (LF): 97
- 120fps RAW: 92 / JPG (LF): 92
- Interval shooting
- Image Processing
- Art Filter bracketing Available
- Color space sRGB / AdobeRGB
- Fisheye compensation Available when M.Zuiko Digital ED 8mm Fisheye PRO is attached Angle of view adjustable in 3 levels Compensation automatically ON when using Underwater Modes, available (can be confirmed in Live View)
- Gradation 4 levels (auto, high key, normal, low key)
- Highlight & Shadow control Highlight / Shadow / Midtone (+/- 7 steps)
- Black & White filter Yellow, Orange, Red, Green
- Black & White toning Sepia, Blue, Purple or Green in Black & White mode
- Contrast 5 levels
- Saturation 5 levels
- Sharpness + Contrast 5 levels
- Tele converter effect 2x
- External Flash Control
- Modes 2nd curtain and slow synchronisation, Auto, Fill-in for exclusive flash, Manual, Red-eye reduction, Slow synchronisation
- Type AUTO, FP MANUAL, FP TTL AUTO, MANUAL, TTL AUTO
- X-sync speed 1/250s / 1/8000s (Super FP Mode)
- Intensity +/- 3 EV ( 1/3, 1/2, 1 EV steps )
- Compatible external flash FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR
- Note Note: Some functions are only available if they are supported by the external flash.
- Wireless Flash Control
- Available when used together with cameras compatible with the Olympus wireless RC flash system.
- Modes Auto, FP Manual, FP TTL Auto, Manual, TTL Auto
- Control method Triggered and controlled (Olympus Wireless RC Flash system)
- Group setting 4 groups
- Compatible external flash FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR
- Radio control
- Radio wireless control Available when attaching optional flash commander.
- Number of channels 4 channels
- Group setting 3 groups
- Compatible commander FC-WR, FL-700WR
- Note For more details see specifications of commander units.
- Compatible receiver FL-700WR, FR-WR + wireless RC system flash
- Number of channels 4 channels
- Recording Formats
- JPEG Applied
- RAW 12bit
- RAW & JPEG Applied parallel recording
- Aspect ratio 4:3 / 3:2 / 16:9 / 6:6 / 3:4
- Still Image Recording
- DCF Applied
- Dual SD card settings Standard, Auto Switch, Dual Independent, Dual Same
When two cards are inserted, card to be saved onto or to be viewed can be designated. - EXIF 2.31
- RAW Applied
- Image Size
- RAW 5184 x 3888
- JPEG 5184 x 3888 - 1024 x 768
- Movie Recording System
- Recording format MOV(MPEG-4AVC/H.264)/ MOV (HEVC/H.265)
- Picture mode Flat, OM-Log400, HLG (View assist compatible)
- Time code Rec run / Free run
Drop frame / Non-drop frame - Exposure Modes Aperture priority, Manual, Programme automatic, Shutter priority
- Image Stabilisation Mode Applied Sensor shift (5-axis)
M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS)
M-IS2 (Image sensor shift with multi motion IS) - MOV(MPEG-4AVC/H.264)
- 3840x2160 (4K) 30p, 25p, 24p / LongGOP (approx. 102 Mbps)
- 3840x2160 (4K) -2 60p, 50p / LongGOP (approx. 202 Mbps)
- 4096x2160 (C4K) 30p, 25p, 24p / LongGOP (approx. 102 Mbps)
- 4096x2160 (C4K) -2 60p, 50p / LongGOP (approx. 202 Mbps)
- 1920x1080 (FHD) 30p, 25p, 24p / ALL-I (approx. 202 Mbps)
- 1920x1080 (FHD) -2 60p, 50p / LongGOP (approx. 52 Mbps)
- 1920x1080 (FHD) -b / LongGOP (approx. 27 Mbps)
- MOV (HEVC/H.265)
- 3840x2160 (4K) 30p, 25p, 24p / LongGOP (approx. 77 Mbps)
60p, 50p / LongGOP (approx. 152 Mbps) - 4096x2160 (C4K) 30p, 25p, 24p / LongGOP (approx. 77 Mbps)
60p, 50p / LongGOP (approx. 152 Mbps) - 1920x1080 (FHD) 30p, 25p, 24p / ALL-I (approx. 82 Mbps)
60p, 50p / ALL-I (approx. 162 Mbps)
/ LongGOP (approx. 42 Mbps)
/ LongGOP (approx. 22 Mbps) - Note Class 10 or higher SD card is recommended for movie shootingUHS-II or UHS-I U3 card is recommended for ALL-I shooting
- Maximum Recording Time Unlimited
- Movie Specialties
- Art Filter Bleach Bypass, Cross Process, Diorama, Dramatic Tone, Gentle Sepia, Grainy Film, Instant Film, Key Line, Light Tone, Pale & Light Colour, Partial Colour*, Pin Hole, Pop Art, Soft Focus, Vintage, Water colour
- Note Frame rate may drop when using certain art filter
- Fast motion Available
- Flicker Scan Available in M mode (can be confirmed in Live View)
- HDMI Live View
- Modes Monitor / Record / RAW
- Monitor mode Video signal and info display is processed
- Note In monitor mode, the image cannot be enlarged on the camera when a movie is being recorded.
- RAW mode
- Compatible external device ATOMOS NINJA, NINJA ULTRA, NINJA V, NINJA V+
- Notification: In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded.ProRes RAW 4:4:4 12bit is supported
- Record mode Only video signal is processed
- Note In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit).When recording simultaneously in the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2.
- High-Speed Recording 1920x1080 (MOV) / 240fps
1920x1080 / 120fps
1920x1080 / 100fps - Vertical Video AvailableVideo files are saved vertically when holding the camera vertically to shoot. Videos are not played in the vertical orientation on the camera.
- Time lapse 4k, 1080p, 720p / 5, 10, 15, 30fps
Max. number of frames: 9999 - Slow motion Available
- Sound Recording System
- Recording format High quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz)
Stereo PCM/16bit, 48kHz, Wave Format Base - Speaker Equipped
- Image footage 30s
- Internal microphone Stereo
- Microphone functions Recording Volume, Volume limiter, Wind Noise Reduction
- Recording format High quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz)
- View Images
- Modes Calendar, Index, Movie, Single, Zoom
- Shooting information Off / On
- Highlight/Shadow point warning Available
- Histogram in playback mode Available
- Auto rotation Available
- Erase / Protect / Copy Function
- Erase modes Single, All, Selected
- Image protect mode Single frame, Selected frames, All Frames, Release protect (Single/All selected)
- Image Editing
- Editing functions Aspect ratio, Black & White, Correction of brightness, Correction of colour balance, Correction of saturation, RAW data edit, Red-eye reduction, Resize, Sepia, Shadow Adjustment, Trimming
- Customisation Options
- Programmable button Equipped
- Fn Button Equipped
- My Mode 4 settings storable (Can be set to mode dial.)
- Factory reset Full / Basic
- Menu languages in camera Czech, Dutch, English, Finnish, French, German, Italian, Japanese, Norwegian, Polish, Portuguese, Russian, Simplified Chinese, Spanish, Swedish, Thai, Traditional Chinese, Turkish
- Interface
- Earphone jack 3.5 ø mm mini-jack
- Synchro socket Equipped
- HDMI™ Applied Micro connector (Type D) *
- Microphone jack 3.5 ø mm mini-jack
- USB 3 Type C
- Wireless connectivity Bluetooth®, Wi-Fi
- Communication method Bluetooth® Low Energy Ver.4.2
- Media SD Memory Card (SDHC, SDXC, UHS-I, UHS-II compatible) Class 10 or higher SD card is recommended for movie shooting UHS-II or UHS-I U3 card is recommended for 4K, C4K, ALL-I shooting.
- SAR 0.52W/kg
- Note SAR quantifies the maximum level of exposure of the user to electromagnetic waves, when using the device close to the head.
SAR shall not exceed 2W/kg in accordance with regulations of France. - Tethered control Available USB cable (camera operation by both PC or camera controls)
Wi-Fi (transfer of recorded images to PC via access point, 5GHz and 2.4GHz available) - Note * "HDMI", the HDMI logo and "High-Definition Multimedia Interface" are trademarks or registered trademarks of HDMI Licensing LLC.
The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any use of such marks by OLYMPUS CORPORATION is under license.
Wi-Fi is a registered trademark of the Wi-Fi Alliance.
- Wi-Fi Functions
- Easy Connection QR code setting
- Wireless Shooting Bulb mode, Live Composite, Live View, Movie recording, P/A/S/M exposure modes, Power off, Rec View, Self timer, Short movie, Touch AF & Shutter, Zoom
- Power Supply
- Battery life
- Image shooting 520 shots (using BLX-1 under CIPA testing conditions) 1100 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
- Movie recording 90min (standard JEITA conditions) 160min (when zoom and other operational functions are not used)* Note: Values are approximate.
- Battery BLX-1 Lithium-Ion Battery
- Internal Charging USB
- Sleep mode 1, 3, 5min. and off selectable.
- USB bus power USB PD bus power can be used (PD compliant camera: Rev 3.0 Ver 1.0a)
- USB charging Performance varies depending on different USB devices
- Dimensions / Weight
- Width 138.8mm
- Depth 72.7mm
- Height 91.6mm
- Weight 599g (including battery and memory card)
- Weight (body only) 511g (body only)
- Environment
- Humidity 30 - 90% operation humidity / 10 - 90% storage humidity
- Temperature -10 - 40°C Operating temperature / -20 - 60°C storage temperature
- Exterior
- Available Colours Black
GET THE MOST FROM YOUR OM-1 Mark II
OM-1 Mark II – Bird, macro, wildlife, landscape & outdoor sports photography FAQ
The OM SYSTEM OM-1 Mark II is purpose-built for bird photography, featuring intelligent AI Detection AF that locks onto birds in flight — even when they’re flying directly towards the camera. Its ultra-fast stacked sensor readout enables 50fps AF/AE bursts, 120fps fixed AF, and a blackout-free EVF, allowing you to track subjects smoothly without losing sight.
Pro Capture acts as a “pre-shutter,” buffering frames before release so you never miss sudden take-offs or landings. Unlike many rival cameras that drop to JPEG or lower resolution in high-speed modes, the OM-1 Mark II maintains full-resolution RAW with a generous 213-frame buffer.
Compact and weather-sealed, the system is easy to shoot handheld — around 2.5 kg with the M.Zuiko 150-400mm F4.5 TC1.25X IS PRO or 1.9 kg with the 100-400mm F5.0-6.3 IS II. Thanks to the Micro Four Thirds 2× crop, the 150-400mm delivers a 300–800mm F4.5 equivalent reach in a genuinely portable package. By contrast, full-frame systems offering similar reach (600mm or 800mm F4.0 primes) are typically at least twice as large, twice as heavy, and two to three times more expensive.
This combination of AI autofocus, stacked-sensor speed, uncompromised Pro Capture RAW, blackout-free tracking, extended telephoto reach, and unmatched portability makes the OM-1 Mark II one of the best bird photography cameras available today.
- AI Bird Detection AF tracks birds in flight, even flying head-on.
- 50fps AF/AE or 120fps fixed AF with blackout-free sequential shooting and up to 213 RAW buffer.
- Pro Capture pre-shutter eliminates human reaction delays to catch sudden take-offs and landings with ease.
- Handheld shooting possible with 150–400mm F4.5 TC1.25X IS PRO (~2.5 kg) or 100–400mm F5.0-6.3 IS II (~1.9 kg).
- Full-frame systems with similar reach are at least twice as large, twice the weight, and two to three times the cost.
The OM SYSTEM OM-1 Mark II is exceptional for macro photography, combining intelligent in-camera focus stacking with the inherent advantages of the Micro Four Thirds format: 2× greater depth of field and 2× effective magnification compared to full frame. Its best-in-class 5-axis image stabilisation ensures sharp results even at extreme magnifications where full frame often struggles.
The M.Zuiko macro lineup includes the 30mm F3.5 Macro, 60mm F2.8 Macro, and flagship 90mm F3.5 Macro IS PRO, alongside several telezooms with remarkably close focusing. These longer working-distance zooms make it easier to photograph delicate subjects such as butterflies without disturbing them, and can achieve true 1:1 macro reproduction with teleconverters. The 90mm F3.5 Macro IS PRO stands alone in the industry, delivering up to 4× equivalent magnification — or an extraordinary 8× with the MC-20 teleconverter — a capability unmatched by full-frame systems.
Fully weather-sealed and equipped with advanced computational tools like focus stacking and bracketing, the OM-1 Mark II makes handheld macro practical in rain, mist, or damp environments.
With stabilisation, computational precision, extended depth of field, long working distances, extreme magnification, and the most complete macro lens system available, the OM SYSTEM OM-1 Mark II confirms Micro Four Thirds as one of the best formats for macro photography.
- Micro Four Thirds delivers 2× depth of field and 2× effective magnification vs full-frame.
- Best-in-class 5-axis stabilisation and in-camera focus stacking for handheld sharpness.
- Dedicated M.Zuiko macro lenses: 30mm F3.5 Macro , 60mm F2.8 Macro, and 90mm F3.5 Macro IS PRO (up to 8× equivalent magnification with MC-20 teleconverter).
- M.Zuiko telezooms with close focus provide longer working distances for delicate subjects like butterflies.
- Full-frame systems lack such extreme magnification or a macro lens as advanced as the 90mm F3.5 Macro IS PRO.
The OM SYSTEM OM-1 Mark II excels in wildlife photography because reach, speed, and silence are essential in the field — and this system delivers all three. With the M.Zuiko 150-400mm F4.5 TC1.25X IS PRO, you already achieve a 300–800mm F4.5 equivalent thanks to the Micro Four Thirds 2× crop. Adding the MC-20 teleconverter, together with the lens’s built-in 1.25× converter, extends this to an extraordinary 2000mm equivalent, all in a system weighing around 2.5 kg and compact enough for handheld use. By contrast, full-frame setups offering similar focal lengths require 600mm or 800mm primes that are typically at least twice as large, twice as heavy, and two to three times more expensive.
The OM-1 Mark II’s silent electronic shutter allows you to photograph shy or sensitive animals without disturbance — essential for intimate behaviour and quiet environments. Intelligent AI Detection AF recognises and tracks wildlife, even when the subject is moving directly towards the camera. Meanwhile, the ultra-fast stacked sensor readout enables 50fps AF/AE bursts, 120fps fixed AF, and blackout-free EVF tracking to follow unpredictable movement seamlessly.
Pro Capture functions as a “pre-shutter,” buffering frames before you press the button so sudden leaps, chases, or take-offs are never missed. Unlike many rival systems that limit high-speed bursts to JPEG or reduced resolution, the OM-1 Mark II maintains full-resolution RAW with a generous 213-frame buffer.
With unmatched reach, silent operation, stacked-sensor speed, Pro Capture RAW, blackout-free viewing, and lightweight portability, the OM-1 Mark II is the ultimate companion for wildlife photographers.
- Silent shutter avoids disturbing sensitive animals.
- AI Subject Detection AF tracks mammals and birds, even head-on.
- Extreme reach: 300–800mm equivalent with 150–400mm F4.5 TC1.25X IS PRO, up to 2400mm with 150-600mm F5.0-6.3 IS and the MC-20 teleconverter.
- 50fps AF/AE or 120fps fixed AF with blackout-free shooting and 213 RAW buffer for unpredictable action.
- Full-frame wildlife kits offering similar reach are more than twice the size, weight, and price.
The OM SYSTEM OM-1 Mark II is ideal for landscape photography because it delivers professional image quality in a lightweight, highly portable system — allowing you to hike to remote viewpoints without heavy gear or tripods. With industry-leading weather sealing, it performs reliably in rain, snow, wind, or dusty conditions, so your creativity isn’t limited by the environment.
The camera offers advanced computational tools such as 14-bit High Res Shot (up to 80MP), Live ND, Live GND, and in-camera Focus Stacking. Live ND lets you smooth waterfalls, rivers, and moving clouds without carrying physical filters, while Live GND balances bright skies and darker foregrounds for perfect sunrise or sunset exposures. Focus Stacking extends depth of field even at lower f-values, preserving sharpness without diffraction softening. With 5-axis Sync IS and lenses like the M.Zuiko 12-100mm F4.0 IS PRO, you can capture multi-second handheld exposures that would normally require a tripod.
M.Zuiko’s telecentric lens design ensures corner-to-corner sharpness and outstanding optical detail. Wide-angle options include the 8-25mm F4.0 PRO (approx. 1 kg with body) and the 7-14mm F2.8 PRO (approx. 1.1 kg with body), while the 12-100mm F4.0 IS PRO (approx. 1.2 kg with body) offers an all-in-one solution for sweeping vistas and telephoto compression. For more creative perspectives, the 8mm F1.8 Fisheye PRO delivers a dramatic 180° field of view — the only lens of its kind in the market.
For nightscapes, the OM-1 Mark II provides Starry Sky AF for fast, accurate focusing on stars, and Live Composite for building star trails in real time without overexposure — making astrophotography intuitive and accessible.
By combining portability, computational precision, advanced nightscape tools, and a uniquely versatile lens system, the OM-1 Mark II allows landscape photographers to travel lighter, shoot longer, and capture exceptional detail without compromise.
- 14-bit High Res Shot up to 80MP and Focus Stacking deliver maximum detail and depth.
- Live ND for smoothing water and Live GND for balanced skies — no extra filters required.
- Wide options include 8–25mm F4 PRO, 7–14mm F2.8 PRO, and unique 8mm F1.8 Fisheye PRO (180°).
- The 12–100mm F4 IS PRO with Sync IS enables multi-second handheld long exposures.
- Full-frame landscape setups typically require heavier lenses and tripods, doubling the weight compared to OM SYSTEM solutions.
The OM SYSTEM OM-1 Mark II is built for action, featuring advanced Human Detection AF that locks precisely onto athletes to maintain sharp focus as they sprint, jump, or move directly towards the camera. Continuous AF sensitivity controls give photographers the ability to keep focus on the chosen athlete while ignoring players crossing in front or distracting background motion.
Powered by an ultra-fast stacked sensor, the OM-1 Mark II delivers 50fps bursts with full AF/AE tracking or up to 120fps in fixed AF, all with blackout-free EVF viewing. Pro Capture functions as a “pre-shutter,” buffering frames before the shutter is pressed so decisive moments — a sprinter leaving the blocks, a footballer’s strike, or a cyclist’s acceleration — are never missed. Unlike many rival systems that limit high-speed sequences to JPEG or reduced resolution, the OM-1 Mark II records full-resolution RAW with a 213-frame buffer.
Agility is a major advantage. The compact, weather-sealed body paired with lightweight M.Zuiko telephoto lenses makes the system easy to manoeuvre along sidelines or in crowded stadiums. Unlike full-frame setups that often require heavy 400mm or 600mm lenses mounted on monopods, the OM-1 Mark II can be used handheld, allowing photographers to move freely and react instantly as the action unfolds.
This combination of Human Detection AF, customisable continuous AF, stacked-sensor speed, Pro Capture RAW, and unmatched portability makes the OM-1 Mark II a powerful and flexible tool for sports and action photography.
- Human Detection AF locks onto athletes with precision.
- Continuous AF sensitivity control keeps tracking on the intended subject.
- 50fps AF/AE or 120fps fixed AF with blackout-free shooting and 213-frame RAW buffer.
- Pro Capture pre-shutter overcomes reaction delays to freeze critical moments.
- Full-frame action systems need heavier 400mm/600mm primes tied to monopods, reducing agility.
The OM SYSTEM OM-1 Mark II features the most advanced sensor technology ever seen in a Micro Four Thirds camera — a stacked BSI (Back-Side Illuminated) Live MOS sensor. This state-of-the-art design dramatically increases readout speed by placing circuitry behind the light-gathering surface, allowing more light to reach each pixel and reducing electronic noise.
The ultra-fast stacked architecture provides significant advantages:
- Reduced rolling shutter for distortion-free capture of fast-moving subjects.
- Blackout-free sequential shooting for uninterrupted EVF tracking.
- Exceptional burst performance — up to 50fps with AF/AE tracking or 120fps in fixed AF, recorded in full-resolution RAW.
- Improved low-light capability, with up to a +2 EV performance gain compared to conventional CMOS sensors, thanks to the BSI layout maximising light efficiency.
This technology, normally found in flagship full-frame sports cameras costing several times more, brings professional-level speed and image quality to a compact, lightweight system at an accessible price point.
In real-world use, the stacked BSI sensor is transformative: whether tracking birds in flight, capturing unpredictable wildlife, or freezing the decisive moment in sports, it ensures you respond instantly and never miss the shot.
The OM SYSTEM OM-1 Mark II and M.Zuiko lenses form a uniquely complete and highly capable system, combining ultra-fast stacked sensor speed, advanced computational photography, industry-leading 5-axis image stabilisation, and exceptional portability. The system achieves up to IP53 weather sealing — and OM SYSTEM is one of the few brands that officially certifies its weather resistance, giving photographers genuine confidence in demanding outdoor conditions.
Unlike many competitors, there is no inconsistency in lens–body compatibility. Every M.Zuiko lens is designed to work seamlessly with the OM-1 Mark II, ensuring reliable autofocus, stabilisation performance, and optical quality across the entire range. From ultra-wide to super-telephoto, and from specialist macro to versatile all-in-ones, the M.Zuiko PRO lineup is one of the most complete mirrorless lens ecosystems available.
Thanks to the Micro Four Thirds format, photographers benefit from extended telephoto reach in significantly smaller and lighter lenses. For example, the M.Zuiko 150-400mm F4.5 TC1.25x IS PRO delivers a 300–800mm equivalent field of view in a system weighing around 2.5 kg — whereas full-frame equivalents are typically more than twice the size, twice the weight, and two to three times the price. Full-frame systems also lack such a comprehensive choice of focal lengths, accessories, and specialised optics.
Add in computational tools such as Live ND, Live GND, Focus Stacking, and High Res Shot — plus Pro Capture RAW bursts up to 120fps — and the OM-1 Mark II offers capabilities that competing systems cannot match at any price point.
Ultimately, it raises the question: what other system delivers this combination of speed, computational power, stacked sensor technology, guaranteed lens compatibility, extended reach, trusted weather sealing, and genuine portability — all at such an accessible price?









